Torch Firing on Fine Silver

I just finished my first completely torch fired fine silver piece.  I encountered some problems along the way.  First, I tried to use fine silver wire to create a frame and had trouble getting the sheet and wire to fuse.  I got some copper solution form Lillian Jones to reduce the melting temperature round the seam but to no avail.  I think this problem can be remedied by using a hotter torch than the ones I have in my studio.  I am going to try an acetylene torch next time.  The second problem I ran into was with the counter enamel.  I tried to use two layers of counter enamel, like you're supposed to, but my second layer kept flaking off as it was cooling.  I decided the enamel was trying to tell me something and just went with the one layer of counter enamel.  Also, I used a piece of 24 gauge fine silver that had been textured with a rolling mill.  I feel that the texturing is a vital part of enameling on silver, otherwise I would just use copper.  I feel some of my problems might have come from the lack of bulk in the silver.  I plan to use 24 gauge but not as thinned by the rolling mill.  I will keep the bloggosphere posted as to my next conquest in the world of torch firing.  Keep Creating

Necessary Tools

Like any Art, there are tools that are necessary to accomplishing a finished piece.  Torches and fireproof surfaces are a must. 

 These are the two torches I use in my studio.  The larger is a MAP gas and the smaller a Butane.  The butane is used for soldering and smaller work as it burns cooler than the MAP.  The MAP torch is my main torch for enameling as it cures quickly and heats a large amount of space. 

 A pumice pan and charcoal block is necessary in any studio that uses fire.  These are great, versitile fireproof surfaces. 

 These are my collection of enamels.  I purchased sample sets to see which colors I use the most and then order higher amounts of those I use most.  I suggest keeping enamels in clear, sealed containers so they are protested from humidity changes yet you can still see the basic color you're using. 

Trivets and paint brushes are not necessary but the first extra purchase I would suggest.  You can fire on steel mesh but it leaves marks in the back. Trivets are a much cleaner way to fire.  Paint brushes are my preferred way to apply enamel when wet packing.  Some enamelists use a spatula or scribe, but I feel paint brushes offer a wider variety of sizes and shapes and are much more accessible. 

Please note that these are my personal preferences based on my experiences.  You may find that something else works better for you.  In that case, go with what you like.  You can view products of my torch firing on copper at www.erinbrowndesigns.net. 

Ode to Mom

Thanks Mom, for helping me to spread my wings. 

Great Day

Erin Brown Designs was at Peak fest in Apex today.  The weather was beautiful, the people were friendly, and the vendors were helpful.  Overall, it was a fabulous day.  I loved seeing all the patrons out to buy local and support their neighbors.  In this economy it is so important to support the people in our own communities.  Buying local helps the local economy and keeps people employed.  Keep buying local and keep creating.

Check out the New Pages

I just added a Bio page and an Artists Statement page.   I hope you find them useful and informative.  Never stop Creating

Brand New Blog

I am starting this blog today in response to the lack of information about torch firing enamels.  I have been torch firing enamels from the beginning and love it! I am a flame freak! I hope the information on this blog helps make enamels accessible to all.